This isn’t to say that the character development was always smooth and reasonable – only that the traits are consistent. By nature he was always been somewhat shy around her, therefore the dynamic feels natural. When it comes to romance Mo Qing can still be shy around Yao and it is she who initiates most of the kisses. For the most part, characters always acted per their original personality traits. If you can’t remember a name, you can at least recognize the clothing. The contrast of designs also makes each sect easily identifiable. Looking closely there are numerous textures, colors, fabrics, and details which add to each character and sects traits.
The fighting scenes are energetic, full-on and the actors gave it their all.The standout would be Chen Lan deep looks of longing at the perceived loss of Yao and then his attraction and love for her, once she re-appears in his life. Fantastic acting by the main leads, both actors embody a wide range of emotions and hold your attention in whichever scenes they are in.Beyond that the plot becomes overwhelming and consequently tedious.
Why did I press play? At my wits end waiting for new episodes of Korean drama My Country: The New Age to air.ĭuring which episode was it dropped? Watched the first half and lightly skimmed the rest of the drama.Ī few thoughts and observations: Besides a big time jump, the first two dozen episodes are action pacts and draw you in. Writer/director: Jiuliu Feixiang, Yang Qianzi, & Peng Yunriu/ Zheng Weiwenīased on book/manga?: yes, The Legends by Jiuliu Feixiang
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